Sep
30
2009
Cape Town’s Gregg Smith
Author: SamIt’s fascinating to see how cultures can be represented through the foods offered from place to place. Cape Town is no different, and the cuisines here are extremely varied. Cape Town is a very metropolitan place, holding a wide array of cultures and identities, and this is certainly reflected in the food. There are many different African dialects spoken here, and one of the tongues you’ll undoubtedly hear is the Bantu-derived Xhosa. This food is really exquisite, and extremely hearty, composed of different kinds of stews that are fantastic on the cooler nights. There is also a wide array of Asian delicacies available. In the best Cape Town restaurants the offerings might be a variation on local themes, but the main concentration is a kind of international chic that is truly out of this world.
Using the most innovative cooking techniques, along with the best of classical gastronomy, our restaurants offer scrumptious dishes that are made with the freshest ingredients. Cape Town is in the auspicious position of being close to the sea, to local farms, and to the wineries, making it an absolutely gorgeous place to get lost in hours of conversation over fantastic food. There’s always the possibility of leaving the conversation to spend some time out on the town, checking out some of the fantastic night life here. Whether your tastes lie in live music, a pub, or performance, there is plenty to choose from here. You could, of course, always opt for the pub and continue the conversation, and if you’re here long enough, you might end up engaging with some of the locals about art in Cape Town.
Mention Gregg Smith, and you might get a few nods of recognition. He’s a performance and video artist who lived here for the first three decades of his life, and is now living in France, and making quite a name for himself on the international art scene. His work is rather hard to describe. It’s not impossible, it’s just complicated, and better to experience it. In one of his works that was brought back to Cape Town, there are recordings of parts of a complex and intriguing love story. The recordings are sent to public telephones around the city, and whoever answers hears another segment of the story. The art here is making things slightly uneasy, where a natural response to peek into private lives carries an ambiguous moral value. Smith grew up in the last days of apartheid, and his work asks questions about the nature of moral choice in a repressed society, and in its ironic affect, asks deeply moral questions.